The girl who was raised by dogs
      For five years, Oxana Malaya lived with dogs and      survived on raw meat and scraps. When she was found  she was      running around on all fours barking. Elizabeth Grice hears her      incredible story
    
  
     
      She bounds along on all fours through long grass, panting towards     water with her tongue hanging out. When she reaches the tap she paws     at the ground with her forefeet, drinks noisily with her jaws wide     and lets the water cascade over her head.
  Up to this point, you think the girl could be acting - but the     moment she shakes her head and neck free of droplets, exactly like a     dog when it emerges from a swim, you get a creepy sense that this is     something beyond imitation. Then, she barks.
   The furious     sound she makes is not like a human being pretending to be a dog. It     is a proper, chilling, canine burst of aggression and it is coming     from the mouth of a young woman, dressed in T-shirt and shorts. 
      This is 23-year-old Oxana Malaya reverting to behaviour she learnt     as a young child when she was brought up by a pack of dogs on a     rundown farm in the village of Novaya Blagoveschenka, in the     Ukraine. When she showed her boyfriend what she once was and what     she could still do - the barking, the whining, the four-footed     running - he took fright. It was a party trick too far and the     relationship ended.
   Oxana is a feral child, one of only about     100 known in the world. The story goes that, when she was three, her     indifferent, alcoholic parents left her outside one night and she     crawled into a hovel where they kept dogs. 
      No one came to look for her or even seemed to notice she was gone,     so she stayed where there was warmth and food - raw meat and scraps     - forgetting what it was to be human, losing what toddler's     language she had and learning to survive as a member of the    pack.
   A shameful five years later, a neighbour reported a     child living with animals. When she was found, at the age of eight     in 1991, Oxana could hardly speak and ran around on all fours     barking, mimicking her carers.
       Though she must have seen humans at a distance, and seems     occasionally to have entered the family house like a stray, they     were no longer her species: all meaningful life was contained in a kennel.
 Judging from the complete lack of written     documentation about her physical and psychological state when found,     the authorities were not keen to record her case - neglect on this     scale was too shameful to acknowledge - even though it has been of     huge and continuing interest to psychologists who believe feral     children can help resolve the nature-nurture debate.
       What is known about "the Dog Girl" has been passed down     aurally, through doctors and carers. "She was like a small     animal. She walked on all fours. She ate like a dog," is about     as scientific as it gets.
   Last month, the British child     psychologist and expert on feral children, Lyn Fry, went to the     Ukraine with a Channel 4 film crew to meet Oxana, who now lives in a     home for the mentally disabled.
  Five years after a Discovery Channel programme about her, they     wanted to see if she had integrated into community living. Fry was     keen to find out how far the girl was still damaged - and to witness     a reunion with her father.
   "I expected someone much less     human," says Fry, the first non-Ukrainian expert to meet Oxana.     "I'd heard stories that she could fly off the handle, that     she was very unco-operative, that she was socially inept, but she     did everything I asked of her.
   "Her language is odd. She     speaks flatly as though it's an order. There is no cadence or     rhythm or music to her speech, no inflection or tone. But she has a     sense of humour. She likes to be the centre of attention, to make     people laugh. Showing off is quite a surprising skill when you     consider her background. 
      "She made a very striking impression on me. When I made her a     gift of some wooden toy animals we had used in tests, she thanked     me. Superficially, you would never know this was a young woman     raised by dogs."
   In the film, Oxana looks unco-ordinated     and tomboyish. When she walks, you notice her strange stomping gait     and swinging shoulders, the intermittent squint and misshapen teeth. 
 Like a dog with a bone, her first instinct is to hide anything she     is given. She is only 5ft tall but when she fools about with her     friends, pushing and shoving, there is a palpable air of menace and     brute strength. 
      The oddest thing is how little attention she pays to her pet     mongrel. "Sometimes, she pushed it away," says Fry.     "She was much more orientated to people."
  After a     series of cognitive tests, Fry concluded that Oxana has the mental     capacity of a six-year-old and a dangerously low boredom threshold.     She can count but not add up. She cannot read or spell her name     correctly
She has learning difficulties, but she is not autistic, as     children brought up by animals are sometimes assumed to be. She is     proud of her huge wristwatch with its many ringtones - but     can't tell the time.
   Experts agree that unless a child     learns to speak by the age of five, the brain misses its window of     opportunity to acquire language, a defining characteristic of being     human. 
      Oxana was able to learn to talk again because she had some     childish speech before she was abandoned. At an orphanage school,     they taught her to walk upright, to eat with her hands and,     crucially, to communicate like a human being.
   The definition     of a feral child (or "wild child") is one who, from a very     young age, has lived in isolation from human contact, unaware of     human social behaviour and unexposed to language. 
      The most famous was Victor of Aveyron (1797) portrayed in the 1969     film The Wild Child by François Truffaut. In the 1800s, there was     the caged boy Kaspar Hauser (Herzog's The Enigma of Kaspar     Hauser came out in 1974). 
 More recently, there was Genie, a girl who was kept in darkness     for 13 years and discovered in California in 1970. Genie features     alongside Oxana in the Channel 4 film as an example of gross    neglect.
   Through an interpreter, Oxana tells Fry that her     mother and father "completely forgot about me". They     argued and shouted. Her mother would hit her and she would pee     herself in terror. She says she still goes off by herself into the     woods when she is upset. You have to wonder which voice, animal or     human, she uses when she gets there.
   Although she knows it is     socially unacceptable to bark, she certainly can, as the opening     footage of the documentary Feral Children demonstrates. Lisa Plasco,     executive producer, says: "She has been educated away from all     those aspects of her past. But privately, I think she might [bark].     The sound level may have been enhanced in the film, but she     certainly made those noises."
  It was a similar show of canine behaviour that scared off her     recent boyfriend. "To be confronted with what she was,"     says Fry, "put him off."
   Oxana seems to be happy     looking after cows at the Baraboy Clinic's insalubrious farm,     outside Odessa. "It was dirty, terribly rundown and     primitive," says Fry, "but in Ukrainian terms, very     desirable. 
      Her carers are good people with the best interests of their     charges at heart, though there is no therapy as such. Oxana is doing     things she is good at."
   It was here that the reunion     with her father was staged a few weeks ago. Of her mother, whom     Oxana has not seen since infancy, there is no trace. "We knew     she very much wanted to meet him," says Plasco, "and we     facilitated that but we didn't orchestrate it." 
      Fry was anxious about the way the meeting was conducted: Oxana     standing alone as her estranged father and half-sister, Nina, whom     she had never met, came slowly towards her, cameras rolling. A crowd     of her friends, agog, watched the spectacle from a distance.
 "I thought it was a good idea for them to meet     but a very risky way of going about it. I felt anything could     happen. It could have split them apart permanently. It was very     tense. There needed to be someone beside her, holding her    hand."
   In the film, they stand awkwardly apart and it is     ages before anyone speaks. Oxana breaks the silence.     "Hello," she says. "I have come," replies her father.
       The exchange is moving in its halting formality. "I thank     you that you have come. I wanted you to see me milk the cows."     Nina is the one who starts sobbing and Oxana puts her arm round    her.
 Oxana has a romantic notion of returning to live with her     impoverished father, but it is doubtful whether that will happen.     Fry's guess is that she will go for a holiday, see the reality     of life there and return to the familiar.
   Is Oxana capable of     a life beyond the institution? Fry is doubtful. "She     doesn't have the social or personal skills. She has had     boyfriends but she doesn't have the ability to form long-term     relationships or to understand give and take. She would rather fall     out than compromise. She is a very vulnerable person and there is no     protection for her outside that institution."
   The Dog     Girl will continue to be the subject of scientific scrutiny but the     sad reality is that, although the amelioration of her terrible     history has gone a long way, it can probably go no further.
 
Courtsey : http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/07/17/ftdog17.xml&page=1